Picturesque World’s Fair, An Elaborate Collection of Colored Views—Published with the Endorsement and Approval of George R. Davis, 1894
THE “FARMER’S BRIDGE.”—Not a few of the prominent features of the Columbian Exposition acquired popular titles quite different from their official designation. The main entrance to the Transportation Building became known as “The Golden Door,” the rolling chairs propelled largely by theological students, acquired the title “Gospel Chariots;” the Columbian Guards were called the “Tin Soldiers,” and in other directions the American fancy for some pat, whimsical title disported itself. So it came that the broad way over the south basin, connecting the Grand Plaza with the Agricultural Building, was designated genially as the “Farmer’s Bridge.’ A handsome structure it was, too, located in the midst of remarkable surroundings. All the bridges in the grounds were well built, and the idea o ornamenting them with figures of typical American animals was a happy one. Six animals were selected—the bear, buffalo, moose, elk, jaguar and antelope, the “Farmer’s Bridge” having splendid representations of the buffalo and moose upon the pedestals at its approaches. The view affords much that is interesting to look upon, aside from the bridge itself. The northwest corner of the Agricultural Building is brought into prominence as it approaches, of its various beauties, the splendid Corinthian columns, the Ceres pediment, the “Four Nations” supporting a sphere, encircled by the signs of the Zodiac and the mural painting in the vestibule. To the left is the Neptune column and in the distance appear many familiar aspects of the Court of Honor.
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